Casting Revealed. (Record no. 36524)

000 -LEADER
fixed length control field 07620nam a22004453i 4500
001 - CONTROL NUMBER
control field EBC5055834
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20191009123147.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 191009s2011 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781615930708
-- (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Cancelled/invalid ISBN 9781932907872
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC5055834
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL5055834
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL311454
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)741452161
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1995.9.C34S34 2011
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.430233
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Schell, Hester.
245 10 - TITLE STATEMENT
Title Casting Revealed.
264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Studio City :
Name of publisher, distributor, etc Michael Wiese Productions,
Date of publication, distribution, etc 2011.
264 #4 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc �2011.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (187 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Hester's Perspective -- Something About Her -- Introduction -- Chapter One: Save Money - Do It Yourself -- Independent Market Share -- How This Book Will Save You Money -- Do It Yourself -- Collaborate or Die -- Anyone Can Make a Movie -- Yes, But Is It Worth Watching? -- Why So Many Films Don't Make the Film Festivals -- Raise Your Standards -- All About Editing -- Inexperience Costs More Money -- The Best Actors are the Right Actors -- Technology Has Changed Everything -- Prescreening Footage -- The Headshot Submission Process has Gone Green -- Saving Money Recap -- Chapter Two: Your Directing Career -- Better Casting Impacts Your Long-Range Career Goals -- Shorts Can Be Your Stepping Stone -- Where To Connect With Actors -- Breaking Barriers: How To Talk To Actors -- Blame the Media -- Chapter Three: An Overview Of The Casting Process -- What Are You Casting: Preliminary Considerations -- Families and Lovers -- Casting Is -- Principal, Background Casting -- Types Of Auditions -- Open Calls -- Appointments: Script Readings, Cold Readings and Improvisation -- Callbacks -- Casting Standards -- Above All, Keep It Professional -- Never Settle -- Actors are Looking For You As Well -- Agents are Looking for Projects for Their Clients -- A great Script Will Open Doors -- Casting Centers in the U.S. are New York City and Los Angeles -- It's a Job Interview -- Casting Is Not -- Casting is Not a Party -- Casting is Not About Your Ego: Get Over Yourself -- To Union Or Not -- Thoroughly Evaluate Your Decision -- One Member Makes a Union Shoot -- Experience Gets More Done -- The Less Experience, the Longer Your Day -- Questions For Homework -- When To Start -- Plan Ahead to Stay Ahead -- What You Need To Start -- You Need a Script -- You Need "Sides.".
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Know the Window of Time You Plan to Shoot -- You're Going to Need a Place to Hold Your Audition s -- You Need Your SAG Paperwork Done -- Reality Check -- Chapter Four:Industry Standards -- Actor Marketing Materials -- Headshots -- What Makes a Good Headshot? -- Headshot Samples -- Resumes -- Reels -- Why look for the standards? -- Chapter Five : Acting - What Is It ? -- Acting Defined -- The Actor's Toolbox -- Script Analysis: If It Ain't on the Page, It Ain't on the Stage -- EXERCISE: Who Do You Like? -- EXERCISE: Character Types -- EXERCISE: Character Type Attributes -- Acting 101 For Directors: How You Feel Is A Result of What You Do -- Understanding the Craft: Where to Go For Help -- Chapter Six: Timelines - When To Start And What To Do Before Jumping In -- Announcements, Auditions, Callbacks and Contracts: AACC -- Where To Hold Auditions -- The Timeline Explained -- Two Weeks from First Shoot Date: Rehearsals -- One Month from First Shoot Date: Contracts -- Six Weeks from First Shoot Date: Callbacks -- Two Months from First Shoot Date: Auditions -- Ten Weeks from First Shoot Date: Distributing Audition Information -- Three Months from First Shoot Date: Preproduction Breakdown -- Timeline Recap -- Union Preparation Recap -- Chapter Seven :The Casting Breakdown - Spreading The Word -- Breakdown Elements -- Homework -- Sample Breakdowns -- Breakdown Distribution -- National -- Local Or Regional -- Social Networking -- Flyers: Other Places To Put Your Breakdown -- Press Releases -- Contacting Agents -- Who Represents Whom -- Chapter Eight: Staying Organized -- Workflow -- Who Follows Instructions -- Turn on Your "Flake Radar." -- Managing Files -- Confirming Auditions -- Handling Rejections -- Other Files -- Creating Script Sides from Your Screenplay -- Sign-In Sheets -- Master Spreadsheett.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Chapter Nine :The First Round - What You Need And Where You Need It -- Preparations And Procedures -- Provide Scripts in Advance -- Make A Schedule -- Setting Up -- Allow Enough Time For Each Actor -- Information Form -- Keep Secrets -- How Many Actors Do I See For Each Role? -- Who Do I Cast First? -- Cast Your Leading Actors First -- Supporting Actors -- Background Extras -- Inside The Session -- Control the Room -- Casting Sessions are Job Interviews -- Casting Sessions are Private -- Memorized Sides -- Using a Reader -- Recording the Casting Session -- Adjustments and Direction When You Have Something to Say -- More Basic Dos and Don'ts -- Do Expect Actors to Be Prepared and On Time -- Do Expect Actors to Arrive With a Headshot and Resume -- Nudity, Scars and Tattoos -- Don't Ask Actors to Sign a Release Form For Audition Footage -- Keep An Open Mind to All Potential and Opportunity -- Ending the Session -- Keep Track -- Sorting the Session: Do You Need More Options? -- Chapter Ten :The Second Round - Callbacks -- Confirming Your Choices -- Callback For Sure -- Callback Maybe -- Procedures -- Set Callback Appointments -- Test Your Communication and Directing Approach -- Put on Your "Poker Face." -- Sleep on Your Decisions -- Chapter Eleven: Offers And Contracts -- Union Contracts -- Chapter Twelve: Don't Take My Word For It - Friends Chime In -- Fast, Cheap, Good - Pick Two -- A Little Help From Our Friends -- Actors Do a Shout Out -- Directors Do a Shout Out -- Chapter Thirteen: Casting Directors - Do You Need One ? -- The Job Defined -- Job Tasks and Responsibilities: What Will they Do For You? -- What's It Going to Cost? -- Other Resources -- Chapter Fourteen: So You Want To Be A Casting Director -- Loving Actors -- Outreach And Marketing -- Industry Connections -- Getting Started -- Glossary Of Common Film Terms -- The Parts Of Speech.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Verbs -- Nouns -- Compound Words -- Financial Terms -- Common Phrases -- Bibliography And Resources -- About the Author.
520 ## - SUMMARY, ETC.
Summary, etc From union paperwork to posting effective audition announcements and insider know-how, to effectively launching the most important factor in pre-production: Casting. From step-by-step guidelines on running casting sessions, to tracking down agents who represent who you want to cast, this book is a complete guide to getting the best actors on board.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2019. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Print version:
Main entry heading Schell, Hester
Title Casting Revealed
Place, publisher, and date of publication Studio City : Michael Wiese Productions,c2011
International Standard Book Number 9781932907872
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier http://ezproxy01.ny.edu.hk:2048/login?url=https://ebookcentral.proquest.com/lib/ircp3g4/detail.action?docID=5055834
Public note Click to View

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