000			02203nam a2200505 a 4500
001			EBC566757
003			MiAaPQ
006			m o d |
007			cr cn|||||||||
008			090930s2010 cauag sb 001 0 eng
010			_z 2009040742
015			_aGBB030513 _2bnb
016	7		_z015494171 _2Uk
020			_z9780520264793 (cloth : alk. paper)
020			_z0520264797 (cloth : alk. paper)
020			_z9780520264809 (pbk. : alk. paper)
020			_z0520264800 (pbk. : alk. paper)
035			_a(MiAaPQ)EBC566757
035			_a(Au-PeEL)EBL566757
035			_a(CaPaEBR)ebr10402695
035			_a(CaONFJC)MIL269766
035			_a(OCoLC)655853281
040			_aMiAaPQ _cMiAaPQ _dMiAaPQ
050		4	_aML3854 _b.A84 2010
082	0	4	_a781.49 _222
100	1		_aAshby, Arved Mark.
245	1	0	_aAbsolute music, mechanical reproduction _h[electronic resource] / _cArved Ashby.
260			_aBerkeley : _bUniversity of California Press, _cc2010.
300			_axii, 317 p. : _bill., music.
504			_aIncludes bibliographical references (p.299-308) and index.
505	0		_aThe recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.
533			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
600	1	0	_aGould, Glenn _xCriticism and interpretation.
600	1	0	_aSchnabel, Artur, _d1882-1951 _xCriticism and interpretation.
650		0	_aAbsolute music.
650		0	_aSound recordings _xSocial aspects.
650		0	_aMusic _xPhilosophy and aesthetics.
650		0	_aPerformance practice (Music) _xHistory _y20th century.
650		0	_aMusic and technology.
650		0	_aSound _xRecording and reproducing _xDigital techniques.
650		0	_aMP3 (Audio coding standard) _xSocial aspects.
655		4	_aElectronic books.
710	2		_aProQuest (Firm)
856	4	0	_uhttp://ezproxy01.ny.edu.hk:2048/login?url=https://ebookcentral.proquest.com/lib/ircp3g4/detail.action?docID=566757 _zClick to View
999			_c32871 _d32871