000			01978nam a2200397 a 4500
001			EBC686641
003			MiAaPQ
006			m o d |
007			cr cn|||||||||
008			101006s2011 nyu sb 001 0 eng d
010			_z 2010041714
020			_z9780230113381 (alk. paper)
020			_z9780230118829 (e-book)
035			_a(MiAaPQ)EBC686641
035			_a(Au-PeEL)EBL686641
035			_a(CaPaEBR)ebr10467580
035			_a(CaONFJC)MIL309686
035			_a(OCoLC)714090120
040			_aMiAaPQ _cMiAaPQ _dMiAaPQ
043			_ae------
050		4	_aPN1861 _b.B44 2011
082	0	4	_a809.2/04 _222
100	1		_aBennett, Michael Y., _d1980-
245	1	0	_aReassessing the theatre of the absurd _h[electronic resource] : _bCamus, Beckett, Ionesco, Genet, and Pinter / _cMichael Y. Bennett.
260			_aNew York, N.Y. : _bPalgrave Macmillan, _c2011.
300			_a179 p.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction : reassessing the theatre of the abusrd -- The parable of Estragon's struggle with the boot in Waiting for Godot -- The Pinteresque Oedipal household : the interrogation scene(s) in The birthday party -- The parable of the white clown : the use of ritual in Jean Genet's The blacks : a clown show -- Berenger, the Sisyphean hero -- Conclusion : theorizing a "female absurd" in Beth Henley's Crimes of the heart as a means of reassessing the theatre of the absurd.
533			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650		0	_aEuropean drama _y20th century _xHistory and criticism.
650		0	_aTheater of the absurd.
650		0	_aAbsurd (Philosophy) in literature.
655		4	_aElectronic books.
710	2		_aProQuest (Firm)
856	4	0	_uhttp://ezproxy01.ny.edu.hk:2048/login?url=https://ebookcentral.proquest.com/lib/ircp3g4/detail.action?docID=686641 _zClick to View
999			_c34137 _d34137