000 | 01590nam a22002657a 4500 | ||
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003 | NY | ||
005 | 20220610113547.0 | ||
008 | 220111s2016 gw a b 100 0deng d | ||
020 | _a9783957580320 | ||
040 |
_aOHX _cNY |
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050 |
_aB2798 _bP183 2016 |
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245 | 0 | 0 |
_aPathology & aesthetics : _bessays on the pathological in Kant and contemporary aesthetics / _cedited by Louis Schreel. |
246 | 3 | _aPathology and aesthetics | |
260 |
_aDüsseldorf : _bDüsseldorf University Press, _cc2016. |
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300 |
_a168 p. : _billustration ; _c22 cm. |
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490 | 0 |
_aMaterialisierungen ; _v4 |
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500 | _aInternational conference proceedings. | ||
504 | _aIncludes bibliographical references. | ||
520 | _aImmanuel Kant’s aesthetics invites us to think the intensity of aesthetic contemplation asfreeing the mind of its “pathological” subordination to desires and other empirical interests.For Kant, what is at stake in contemplation can never be understood as merely sensory: itinvolves a special disposition (Stimmung) that directs the mind to the supersensible, whichhe determines as the idea that transcends all sensibility. Beyond interpreting the domain ofthe ideal as an immaterial, self-sufficient realm, this collection of essays opens up thequestion of its ‘life’, suggesting an interrelation with the pathological that is more intimatethan Kant himself seems to have surmised. | ||
600 | 1 | 0 |
_aKant, Immanuel, _d1724-1804 _vCongresses. |
650 | 0 |
_aPhilosophers _zGermany _vCongresses. |
|
650 | 0 |
_aAesthetics _vCongresses. |
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700 | 1 | _aSchreel, Louis. | |
942 |
_2lcc _cBK |
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999 |
_c42055 _d42055 |