000			03730cam a2200349 i 4500
001			2012043820
003			local
005			20170217153209.0
008			121213s2012 mnua b s001 0 eng
010			_a 2012043820
020			_a9780816670826 (hc : alk. paper)
020			_a081667082X (hc : alk. paper)
020			_a9780816670833 (pb : alk. paper)
020			_a0816670838 (pb : alk. paper)
040			_aDLC _erda _beng _cDLC _dYDX _dBTCTA _dUKMGB _dYDXCP _dCDX _dSTF _dOCLCO _dBWX _dCOD _dCUV
042			_apcc
050	0	0	_aN6494 V53 _bR47 2012
082	0	0	_a777 _223
245	0	0	_aResolutions 3 : _bglobal networks of video / _cMing-Yuen S. Ma and Erika Suderburg, editors.
260			_aMinneapolis, Minn. : _bUniversity of Minnesota Press ; _aBristol : _bUniversity Presses Marketing [distributor], _c2012.
300			_axxx, 366 p. : _bill. ; _c26 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_tIntroduction. Another resolution: on global video / _rMing-Yuen S. Ma and Erika Suderburg -- _tMoving images: on video art markets and distribution / _rLucas Hilderbrand -- _tMobile indeed: the marketing of video art and video art as marketing / _rNancy Buchanan and Catherine Taft -- _tNew media states: web 2.0 and embedded video practice / _rKenneth Rogers -- _tPublic stances / _rKathy High -- _tThe voice of blindness: on the sound tactics of Tran T. Kim-Trang's Blindness series / _rMing-Yuen S. Ma -- _tMaking visible what had no business being seen: community media and the question of the political / _rFreya Schiwy -- _tDatabase, anarchøologie, the commons, kino-eye, and mash: how Bard, Kaufman, Svilova, and Vertov continue the revolution / _rErika Suderburg -- _tCity as screen / _rHolly Willis -- _tInstallation and the new cinematics / _rMichael Rush -- _tThe evil eye of adolescence / _rLaurence A. Rickels -- _tMedia arts as intervention / _rYvonne Spielmann -- _tVideo cinema ether (VCE) / _rAkira Mizuta Lippit -- _tTo touch, plot, and dream the Il Ngwesi Maasai landscape / _rBeverly R. Singer -- _tDante Cerano's Dia dos: sex, kinship, and videotape / _rJesse Lerner -- _tTragedies without witness / _rLionel Manga -- _tContemporary Korean video art after Nam June Paik / _rHea Jeong Lee -- _tTransitland: video art in Central and Eastern Europe / _rKathy Rae Huffman -- _tNative makers/new media / _rKathleen Ash-Milby -- _tYou dropped a bomb on me / _rJessica Lawless -- _tRepresenting uncertainty/claiming indeterminacy: Aliza Shvarts' unseen Yale art project / _rJennifer Friedlander -- _tI got this way from eating rice: gay Asian documentary and the reeducation of desire / _rNguyen Tan Hoang -- _tScreen eroticisms: exploring female desire in feminist film and video / _rAmelia Jones -- _tMedia and desire in the sport spectacle / _rJennifer Doyle -- _tEverything is possible, but nothing is real / _rDerek A. Burrill -- _tVector, space, and time / _rSean Cubitt -- _tVideo art on youtube / _rAlexandra Juhasz -- _tAfrican video art: war, dreams, and freedom / _rMyriam-Odile Blin -- _tImages ungoverned: a dialogue / _rFaisal Devji and David Joselit.
520	8		_a'Resolutions 3' explores the wide-ranging implications of video art and video-based production in contemporary media culture. The contributors analyse what is now a fourth decade of video practices as marked within and outside the margins of art production, networked interventions, projected spectacle, museum entombment, or 24/7 streaming.
650		0	_aVideo art. _0(local)31028
700	1		_aMa, Ming-Yuen S., _eeditor of compilation. _0(local)31029
700	1		_aSuderburg, Erika, _eeditor of compilation. _0(local)31030
942			_2lcc _cBK
999			_c6113 _d6113